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It’s about the music.

Releasing into the wild on 21 July, the first issue from Dut Dut Dut Dut LLC, the Summer of Shimmer 17 mixtape. A project months in the making, Mike Contreras and Co. wanted to simultaneously celebrate the scene that celebrates itself, promote new and emerging artists, and plant a flag to represent their new imprint. Half of these tracks are brand new, never before heard, and exclusive to this compilation. Twelve unique artists, twelve divergent sonic approaches, one limited edition tinted blue cassette tape with digital download code, We’ll run a special program tonight, 10 pm Eastern, 7 Pacific, premiering select tracks from the compilation.

Full Tracklist:

1. Soda Lilies – “Not Like Honey”
2. Red Rosie – “Close My Eyes”
3. The Love Agenda – “Peace In This World”
4. Never Come Downs – “All Alone”
5. You’re Jovian – “Just Say When”
6. Lesvosurf – “Carrefour”
7. Daysee – “The South”
8. Coloresantos – “Rigel”
9. There Are Ghosts – “Yellow and Grey”
10. Coloring Electric Like – “Standing On The Moon”
11. Black Juvenal – “The Sound and the Fury”
12. Vyva Melinkolya – “Snow”

We’ll also be dropping in a choice cut or two from tomorrow’s A Thousand Hours release: Sleep is their second long-player, and it’s a next-level effort. It’s been an honor to work on both projects, mastering both albums with an eye (er, ear) toward broadcast. And we’re happy to trot out fresh premieres from both projects in one happy hour of sonic freshness!

 

We’re honored to trot out a number of world broadcast premieres from TBTCI Records. Renato Malizia has once again outdone himself, stitching together a new and exclusive compilation of dreamy, bendy tunes entitled, Come On Feel The NoiZe, BraZil Class ’17, released on Bandcamp June 9th. If you listen to DKFM, you’ll be well familiar with most of these artists: The Sorry Shop, Kid Foguete, Céus de Abril, Justine Never Knew The Rules, Loomer, Duelectrum, The Us and so many more. These are the artists who’ve spent the last half-decade lighting up Latin America, and lighting up our airwaves. Carefully curated (as usual) by Renato Malizia, this stands as a testimonial to the “deep bench” and incredible talent of these breakthrough artists.

From 10 am to 5 pm PDT (1p-8p Eastern), DJs Heretic and Ariel will season our regular programming with multiple world premieres from this landmark compilation. Of course, you’ll hear all of it during the New Tracks Weekend extravaganza, but, on the day of its release, it seems appropriate to call attention to and celebrate this unique album, and the hard work being done by TBTCI and these top-quality artists.

The full album is available June 9th, via the TBTCI Records Bandcamp site, and it’s a jewel. Congratulations to Renato for pulling together another epic release!

24 June 2014. That’s the last time we heard new music from Jeff Kandefer’s The Daysleepers. The single, “Dream Within a Dreamworld” was big news then, and we wrote it up as such, saying, “Let’s hope this is the first of much new music to come.” Fast forward nearly three years later, and it finally seems we have much to look forward to. The first hint: a classic Smiths cover is released this Friday. And we have the world broadcast premiere on Wednesday afternoon. While we’d usually not get our hopes up too high, it would seem this is just a taster for a full forthcoming album. A release date is not yet set, but The Daysleepers Creation LP will follow several single releases over the coming months. This is no fluke, nor is it small news. It seems Kandefer and Co. have finally settled into their own recording studio, getting everything dialed in, and have promised that “…the best is yet to come.”  Given the evidence thus far, we’d be hard pressed to disagree.

DKFM is proud to roll out the world broadcast premiere of the new Daysleepers single in the noon hour, PDT (3 pm Eastern), and you’ll surely hear it on our air a great deal going forward. And we couldn’t be more excited to hear what comes next!

Website/blog might not have arrived yet, but When The Sun Hits blog has two classic interviews, from 2010 and 2013, to catch up on while we wait for the new news.

Music for headphones.

Premiering Wednesday night, January 11th, immediately following When The Sun Hits, the first in our irregular series, DKFM Broadcast Masters. What’s all this then? Funny you should ask. Some quality bands in our space suffer from a mastering job that sounds like your favorite musicians were recorded from the outside of a shoebox they’re playing in. To varying degrees, these lower-fi recordings are short on brightness and presence, by modern recording standards. Some radio stations will add a “universal compression” to all sound recordings they broadcast, which boosts loudness, but loses any semblance of nuance. We actually spent five months of this year with a broadcast pre-compression, normalizing loudness across tracks. A few liked this approach, but those with sharper hearing were nonplussed. While we’ve always tried to maintain volume consistency, this compression was a step backward.

Starting last year, we’d been working on “classic video remasters”, or more specifically, restoring audio from classic live performances from aged VHS source. This led us to an invitation to do the mastering for the forthcoming Fawns of Love album, due in March. As that was a smashing sonic success, we turned back inwards, wondering what our existing skill set could do for the songs we already play.

We’ve revisited our on-air catalogue, testing our skill set on rotation staples, with varying degrees of success. Gradually, we are replacing some of these classics with freshly-remastered tracks from our super-secret sound labs. This one-hour program showcases just a small sample of our ongoing work, from some of our favorite artists. In our debut episode, join us as we revisit (and reimagine) tracks from Lowtide, Wray, Be Forest, Surfing, Soft Wounds, Indoor Voices and much more.

Incredible hubris on our part? Probably. But busting sonic barriers has been a bit of a specialty of late. And this is the music that made us, that we made popular, and that we owe our very existence to. “Efforting” on our part is motivated by love, not hubris. And our efforts to polish and shine the sound of DKFM never ends. The artists deserve it, the audience deserves it.

Another bloody poll. But we’ve done it for years now, might as well subject you to at least something positive out of 2016. Albums of the Year, with much to choose from. You are limited to FIVE choices (up from three in previous years) of the LPs that moved you most. We expect some to try and game the system, it happens every year. Though we do have IP blocks in place to try and minimize that possibility.

You can add items to the poll, so long as they are full albums, and not duplicates. We’ll plug ’em in and push ’em out. Tried to cover everything our braintrust recalls about this year’s releases, but old age and sheer volume may be a factor. Enough preamble! You have a week to vote. Hopefully Vladimir Putin doesn’t hack us, right?

Thanks for your participation, as always!

half-wozniak-mute-swanIn a surprise announcement, two of the UK’s preeminent sonic sculptors are releasing a split single, with all proceeds to benefit DKFM station operations. Half, via Gateshead, burst on the scene with their first single “Mind Laps”, and immediately caught attention around the globe. Awash in reverb, strummed rhythm and a slowly unfolding progression, “Mind Laps” broke enough genre molds to earn a permanent rotation space in the first month of release. Jonny Gray’s original project has continued to evolve, leading up to the debut LP Here Lies, released this April.

Wozniak, on the other hand, has been experimenting with textures and dynamics since mid-2013. Never predictable, and impossible to pigeonhole, Wozniak draws from post-rock, shoegaze, occasional tribal rhythms, with dashes of psych thrown in for good measure. Always unique, always challenging, and expanding your musical boundaries. That’s what we’ve come to expect from Wozniak.

In this new split-single release, we chatted up Jonny (Half) and Simon (Wozniak) for more info.

DKFM: Tell us about your contribution to this release, and how it came together?

Jonny (Half): I had the guitar parts left over from my album. I still thought they had potential, but wasn’t sure where to take them. I’d been a fan of Wozniak since hearing Snow Effect on DKFM and just sent Simon an email to see if they’d be up for a collaboration – things just progressed from there.

Simon (Wozniak): When Jonny got in touch I was really intrigued to see what we could come up with together. I had originally thought of remixing Mute Swan, but when I began to make some new sounds I really felt like it came together and a collaboration began to feel more natural than a remix. It’s a good mix of Half and Wozniak – hypnotic guitar parts underpinned by modulating drones!

DKFM: What made you take up this banner, and decide to support DKFM?

Jonny (Half): Both Half and Wozniak are super grateful for the support DKFM has shown us in the past and because the station indirectly brought us together, it just felt right. I’m just keen to repay the support in some small way.

We at DKFM couldn’t be more grateful for the support of quality artists, and dedicated listeners. Keep an eye peeled, release of the new “name-your-price” single is imminent, with proceeds benefiting DKFM!

Split single “Mute Swan” preorder link here. Follow Wozniak on Twitter and Facebook. Follow Half on Twitter and Soundcloud.

Today we’re treated to a new track from Montréal‘s The City Gates. We’d grabbed hold of the EP’s first single, “Checkpoint Charlie” as soon as we’d stumbled upon it. Only seconds in, you’re treated to an airy, expansive, classic feel. Alternately melodic and abrasive, “Checkpoint Charlie” was a reminder that amazing music is being made right now, that appreciates the genre without simply aping it.

These qualities are brought into sharp focus on the EP’s just-released second single, “Maddening Ride”. Cavernous vocals overlay a wall of guitar expanse, and if you’re a fan of the genre you immediately feel right at home. The hook draws you into the soundscape, and this feels like a song you’ve known all your life, even though you’re hearing it for the first time. Lend an ear.

While surely EP to be released soon! is not the final working title, and effective date for full reveal is projected in late summer, the first two tracks are evidence that The City Gates have truly come into their own. They’ve recently shared a bill with shoegaze veterans The Veldt and Funeral Advantage, but it’s no stretch to imagine their headlining slots aren’t far off. Next show of note is in support of NOTHING and TRACES on August 5th at la Sala Rossa, Montréal. Ready for their star turn, to be sure.

Track The City Gates on Bandcamp, Soundcloud, Facebook and Twitter.

Though perhaps not yet well-known outside of their native Ventura County, Captions is preparing to roll out hard. A teaser single dropped on their Bandcamp in September of 2015, and caught attention for both breezy melodies and plaintive vocals. It had been understood that this was prelude to forthcoming LP, already ‘in the can’. A promising opening, to be sure, but even we weren’t prepared for what comes next.

Today Captions debuts their second single, “Recording Silence”, and it tops anything you might have expected. Shimmering and dreamy, there is a polished ease and slacker beauty to this single. Modern meets classic retro. Small flourishes swirl and collide, vocals soar, a time shift in the chorus keeps your attention locked, as Captions take you on a trip, starting on the 805 freeway and ending up in space.

Background? Captions is a four-piece shoegaze/dream pop band formed in the beginning of 2012 after a year of writing, jamming and interchanging band members. They wrote and recorded their first full-length album, ITERATIONS, in the winter of 2014-15.  The group consists of John Figueroa (vocals/guitar), Adam Gangi (guitar/keyboard), Marcus Paquini (bass/vocals/keyboard), and Joshua Zacarias (drums/vocals/keyboard).  Influences? The presser says “…they are influenced by everything from everyday interactions with both friends and strangers, to the near flawless snare drum tone on Radiohead’s ‘All I Need’.” Sounds like a winner to us!

Iterations is due late summer, with a tour of Southern California to follow. If “Recording Silence” is any indication, there will be pressure for a much wider tour.

Follow Captions on Facebook, Twitter and Instagram, and “follow” their Bandcamp site for releases as they happen.

This month’s new release buzz has all been about Nothing and Pity Sex. And there’s nowt wrong with that. Both are road warriors who’ve earned their audience, and their acclaim. May we add to this esteemed group an artist who has spent years honing and sharpening an amazing sound: Dale Humphries’ Voices From Deep Below. Their fourth studio LP, This Place Will Raise Up, is woozy, tuneful, and fully anthemic. If you’re a fan of this sound (you’d probably not be reading this if you weren’t), we’d frankly dare you not to fall in love. Press play, and read on.

Drop the needle on the album’s opener, “Wait There”, and the journey begins. If it seems that journey has begun with you waking up from a cough syrup hangover, that’s not unintentional. You’re asked to lose your bearings, and give in to dizziness, right from the get-go. Once you’re sufficiently off-balance, as though you’d been spun around blindfolded repeatedly, you’ve got the right state of mind for what follows. Not that “Wait There” is simply to be skipped over, quite the contrary: its lush, watery tones and slow churn make this perhaps the shiniest jewel among the stones. If the whole album sounded like a 40-minute exploration of this structure alone, I don’t think you’d hear many complaints.

“We Are The Same” opens with expansive power chords, accessible hooks, and an overall “bigness” that put this project on par with some of the new heavyweights in the genre. “This Place Will Raise Up” ratchets up the anthemic quality, but without sacrificing any of the delicious quirkiness that makes the effort so rewarding. “Radiate” is the sound of the sun setting over the hills behind the metroplex, expansive and brooding. By the time you reach “Merge”, with its nostalgic feels set to a shuffle beat, if you haven’t fallen yet, we can’t help you.

This is a great album to break up to, to fall in love to, to go on a life adventure with. Voices from Deep Below have been putting out compelling tunes for a while now. If you’ve allowed Dale Humphries’ output to pass by your radar, it’s probably well past time you caught up. The album is a free download, but this is an effort that deserves to have money and praise lavished on it. This Place Will Raise Up is a hidden jewel that shouldn’t be hidden.

This Place Will Raise Up is available for download at the Voices from Deep Below Bandcamp, follow them at their website, on Twitter and Facebook. Fall right now.

Tribal drums, guitars that churn and slash. On their fourth EP, Vow, Hermetic Delight meld classic post punk with shoegaze accents, infused with desperate insistence. Due 15 April on October Tone (Musicast Distribution), Hermetic Delight kick it up another notch, demanding your undivided attention. And right from the opening anthem (elegy? processional?) of “War is Closer”, you can tell that Vow isn’t quite like anything else. Press play and read on.

While “War is Closer” sets the cornerstone for the new EP, it only serves as a guidepost, not the endpoint. “Circles” wails with Siouxsie-like insistence and a fever-dream buildup, and feels like it might have been right at home on your early eighties mixtape alongside Xmal Deutschland. With its less-than-evocative title, “Interlude” might seem a toss-off, a bridge between the worlds. Don’t get comfortable. This brief but beautiful mess polishes psych, tribal noise, and an almost Doorsian bent, just to keep you on your toes.

“Vow” and “Murderbeat” follow this interlude, and the proceedings have buy cheap metronidazole online built to this particular moment. “Vow” feels all like love and betrayal, with Zey’s vocals sprawling over the top of the guitar haze. “Murderbeat” is an exercise in tension-building and unease-making, the natural conclusion of spending too much time contemplating the punishment for betrayal.

“Marian” is a jewel of dark goth-gaze pop, layered exquisitely, and you may well end up putting this track on repeat, just to get lost in the feeling. The elegaic”Outro” really is the only fitting ending to this EP, looping back to the opener “War is Closer”, but running its main theme through a Lynch/Badalamenti ‘mood processor’. Well thought-out, brilliantly executed, this is a fine taste of what Hermetic Delight is capable of. If you’re looking for something emotionally engaging, a bit more ambitious than your standard fare, Hermetic Delight welcomes you to their parlor on Vow. Be warned, however, there may be no escape.

Visit Hermetic Delight via their website, where Vow is available for preorder, and follow them on Facebook. Photo Credit: Gauthier Humbert.